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離子法生產(chǎn)浮雕壁畫的現(xiàn)狀是以室內(nèi)裝飾壁掛及小型圓雕、擺件禮品表面著色為主,其實離子法生產(chǎn)中大型紫銅浮雕更有優(yōu)勢。制約其開發(fā)的瓶頸是模具的大型化,傳統(tǒng)硅膠模具制作強調(diào)其生產(chǎn)產(chǎn)品的平整性,因而用料多重量大,制作一件4平方米的高浮雕模具重量達80-100公斤,制作成本高且操作非常困難。若要生產(chǎn)大型紫銅浮雕,只能是望“模”興嘆。經(jīng)過反復研究摸索,我們與有關一道成功地解決了這一難題,一件8平方米高浮雕硅膠模具重量僅為傳統(tǒng)產(chǎn)品的5分之一(約40公斤),使用我們的組合夾具,2-3個人就能夠輕松生產(chǎn),而不
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浮雕一般地說來,為適合特定視點的觀賞需要或裝飾需要,浮雕相對圓雕的突出特征是經(jīng)形體壓縮處理后的二維或平面特性。浮雕與圓雕的不同之處,在于它相對的平面性與立體性。它的空間形態(tài)是介于繪畫所具有的二維虛擬空間與圓雕所具有的三維實體空間之間的所謂壓縮空間。壓縮空間限定了浮雕空間的自由發(fā)展,在平面背景的依托下,圓雕的實體感減弱了,而更多地采納和利用繪畫及學中的虛擬與錯覺來達到表現(xiàn)目的。與圓雕相比,浮雕多按照繪畫原則來處理空間和形體關系。但是,在反映審美意象這一中心追求上,浮雕和圓雕是完全一致,不同的手法形式所顯示的只是某種外表特征。作為雕塑藝術的種類之一,浮雕首先表現(xiàn)出雕塑藝術的一般特征,即它的審美效果不但訴諸視覺而且涉及觸覺。與此同時,它又能很好地發(fā)揮繪畫藝術在構圖、題材和空間處理等方面的優(yōu)勢,表現(xiàn)圓雕所不能表現(xiàn)的內(nèi)容和對象,譬如事件和人物的背景與環(huán)境、敘事情節(jié)的連續(xù)與轉折、不同時空視角的自由切換、復雜多樣事物的穿插和重疊等。平面上的雕鑿與塑造,使浮雕可以綜合雕塑與繪畫的技術優(yōu)勢,使浮雕的塑造語言比之其它雕塑尤其是圓雕,具有更強的敘事性同時也不失一般雕塑的表現(xiàn)性
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